Routinely, we love to sweep the truth about Hindu-Muslim relations under the carpet. Or simply sugar-coat it to make the actual volume of mutual distrust and animosity palatable to a nation steeped in escapism and self-delusion.
Dekh Tamasha Dekh (DTD), directed by theatre legend Feroz Abbas Khan (of Tumhari Amrita fame) is a jolting wake-up call for a nation swept into a slumberous silence by the status quo. Put simply, we don't want to face the reality about the friction that simmers just under the surface among the two communities.
DTD is perhaps the first Hindi film which ventures into the vista of vitriolic without the fear of offending the more refined sections of the audience who may not be comfortable watching the vanguards and trouble-makers of the two communities addressing each other with the harshest of epithets.
This is not a film about niceties. The director doesn't allow the narrative to nibble daintily at corrosive socio-political matters. Rather, the narrative chews industriously on the political issues. By using the twin missiles of satire and irony, he brings into a play a kind of pinned-down provocativeness into the plot whereby the characters become real and representational simultaneously.
Miraculously, the film is both a parable and a topical comment on communal relations. This is a film that takes burning headlines and converts them into slices of incriminating illustration on man and the beast within. The smell of authenticity pervades the destiny of the political-driven nefariously motivated characters.
- See more at: http://www.hindustantimes.com/entertainment/reviews/movie-review-dekh-tamasha-dekh-is-an-honest-take-on-hindu-muslim-relations/article1-1209906.aspx#sthash.6SVX3R1S.dpuf
Dekh Tamasha Dekh (DTD), directed by theatre legend Feroz Abbas Khan (of Tumhari Amrita fame) is a jolting wake-up call for a nation swept into a slumberous silence by the status quo. Put simply, we don't want to face the reality about the friction that simmers just under the surface among the two communities.
DTD is perhaps the first Hindi film which ventures into the vista of vitriolic without the fear of offending the more refined sections of the audience who may not be comfortable watching the vanguards and trouble-makers of the two communities addressing each other with the harshest of epithets.
This is not a film about niceties. The director doesn't allow the narrative to nibble daintily at corrosive socio-political matters. Rather, the narrative chews industriously on the political issues. By using the twin missiles of satire and irony, he brings into a play a kind of pinned-down provocativeness into the plot whereby the characters become real and representational simultaneously.
Miraculously, the film is both a parable and a topical comment on communal relations. This is a film that takes burning headlines and converts them into slices of incriminating illustration on man and the beast within. The smell of authenticity pervades the destiny of the political-driven nefariously motivated characters.
- See more at: http://www.hindustantimes.com/entertainment/reviews/movie-review-dekh-tamasha-dekh-is-an-honest-take-on-hindu-muslim-relations/article1-1209906.aspx#sthash.6SVX3R1S.dpuf
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